#-----------------------------PLEASE NOTE-------------------------------------# #This OLGA file is the author's own work and represents their interpretation # #of the song. You may only use this file for private study, scholarship, or # #research. Remember to view this file in Courier, or some other monospaced # #font. See http://www.olga.net/faq/ for more information. # #-----------------------------------------------------------------------------# Date: 12 Mar 1993 14:32:16 -0700 (MST) From: Paul ZimmermanDate: Thu, 29 Jun 1995 15:50:58 -0400 (EDT) From: Douglas French Date: Tue, 27 Jul 2004 02:50:28 -0700 (PDT) From: Ted Hermary Subject: m/moody_blues/nights_in_white_satin.crd After a few years of procrastination, I've decided to post chords I've worked out for the bridge to this classic, along with some chordal embellishments which I'm pretty certain in the song. One existing version at OLGA (Paul Zimmerman's) has the basics correct. The other version (Douglas French's) has most of the bridge but it is not in the right key, and doesn't include any embellishments. My notation is somewhat idiosyncratic, so here's some explanation, broken up by section. VERSE: Em(7) = quickly pull off (and hammer back on) the e note on the 4th string D(sus) = a quick run of D-Dsus4-D-Dsus2-D C(sus2) = quickly hammer on/off of the e note on the 4th string F(sus2) = quickly pull off (and hammer back on) the a note on the 3rd string G(sus2) = quickly pull off (and hammer back on) the b note on the 5th string CHORUS: A(sus) = a slow run of A Asus4 A Asus2 C(sus) = a slow run of C Csus4 C Csus2 BRIDGE: Em(addF#) = add f# note on the 4th string, making 024000 B7(addF#) = alter bass to f#, making 2x1202 C(addG) = alter bass to g, making 3x2010 Am(7) = quickly pull off (and hammer back on) the a note on the 3rd string The flourishes usually arrive "late" -- in the second measure of a chord that's played for two measures, the second half when played for one measure, and often just before the next chord change -- which can make them tricky to time out properly. But the payoff's huge, especially if you want to play this beauty unaccompanied. NIGHTS IN WHITE SATIN Moody Blues INTRO: Em(7) D(sus) Em(7) D(sus) VERSE 1: Em(7) D(sus) Em(7) D(sus) Nights ... satin ... never ... end ... C(sus2) G(sus2) F(sus2) Em(7) Letters ... written ... never ... send ... Em(7) D(sus) Em(7) D(sus) Beauty ... always ... with ... before C(sus2) G(sus2) F(sus2) Em(7) Just ... truth ... I ... anymore ... CHORUS: A(sus) C(sus) Cause I love you, ... love Em(7) D(sus) Em(7) D(sus) Ohhh ... love [ad lib vocals] VERSE 2 [Same chords as first verse] REPEAT CHORUS INSTRUMENTAL BRIDGE: Lead-in with this: D||-2-------------------------|-- A||--2------------------------|-- E||---3-0---------------------|-- Then play these chords: Em(addF#) D(sus) C(sus2) B7(addF#) Em(addF#) D(sus) C(sus2) B7(addF#) Em(7) C(addG) Em(7) C(addG) Am(7) B7(addF#) Am(7) B7(addF#) Em(7) D(sus) C(addG) Then immediately go back to the intro music: Em(7) D(sus) Em(7) D(sus) REPEAT FIRST VERSE REPEAT CHORUS. Play two measures of Em. REPEAT CHORUS AGAIN. Play orchestral grand finale!!! Dig it, Ted Hermary