d | drake nick | place to be tab online player | |


  
#-----------------------------PLEASE NOTE-------------------------------------#
#This OLGA file is the author's own work and represents their interpretation  #
#of the song. You may only use this file for private study, scholarship, or   #
#research. Remember to view this file in Courier, or some other monospaced    #
#font. See http://www.olga.net/faq/ for more information.                     #
#-----------------------------------------------------------------------------#

Date: Thu, 27 May 2004 18:17:14 EDT
From: Smoke10584@aol.com
Subject: d/drake_nick/place_to_be.tab


^^PLACE TO BE^^
By Nick Drake
Interpretation by:   JOHN WYMAN

Based on the ^^Time Has Told Me^^ two-disc UK export - US import
version
Please send comments to VictoriaCreek@aol.com

Tuning:  cgcfce  capo V

A ^^HAMMER ON FROM NOWHERE^^ HERE ON (4) MAKES IT EASIER     0^2  
IS ALSO A H.O.
Although it is not necessary, this song is much easier to play if the
right hand
pinky is used exclusively for the high E string; which is consistent, I
have found,
with many of Nick^^s songs. The RH finger placements are as follows:


P4---
A3--
M2--
I1---
T----
T----

And so we begin....
 
|-------------------0--------------------------0-----------0-----------0--------
|-------------------------------------------------------------------------------
|---0-h2-------0-h2-----------0-h2-------2-0---------2-0---------2-0----------2-
|-4------0------------0-----4------0---------0-----------0-----------0----------
|------------0------------0------------2-----------2-----------2------------2---
|----------0------------0------------2-----------2-----------0------------0-----

----0----|
---------|
0--------|
--0------|
---------|
---------|


"Now I'm Older"... etc.
|-----------------------------|
|-----------------------------|
|-----2-----4------2-----2----|
|-------4------------4--------|
|---4-----4-----4------4------|
|-4-----------4---------------|


 
|-------------------------------------------------------0-------------------|
|---------------------------------------------------------------------------|
|-------0-h2-------4---2----------------------------0-----------0---2-------|
|-----4------0----------------0-h2\-4-----/2----------0---0-------0---------|
|---0------------0---0------0-----------0----2---/4-----------3-------3---2-|
|-0------------0----------0-----------0--------0------------0-----------0---|



|-----------0--------------------|
|--------------------------------|
|-----0------------0-------------|
|-------0------------0-----------|
|---2-----2-----2------2----0----| and so back to the intro melody
|-0-----------0-----------0------|

There are additional brief sections that are subtle variations of the
above melodies
that I have left out.